The medina does not do straight lines. Neither, it turns out, do the best days — mine zigzagged through dye pits, rooftop mint tea and a bakery that only makes one thing, perfectly.

I stayed in a riad off a lane so narrow my suitcase had to go first. The host, Yasmine, drew me a map on day one and told me to lose it by day two. She was right: the medina reveals itself to wanderers, not navigators.

Four days of glorious disorientation taught me where to get lost on purpose — and where to let a guide take over.

Moments I’ll keep forever

1

Jemaa el-Fnaa after dark

A hundred grills lighting at once, drummers circling, and a bowl of harira handed to me by a stallholder who called me his best customer of the decade. Dinner theatre, Marrakech style.

2

Ben Youssef Madrasa at opening

Arrive at 9am and have 14th-century geometry all to yourself for twenty golden minutes. The carved cedar and zellige work defies photography — I tried anyway.

3

Hammam, the local one

Not the hotel spa: the neighbourhood hammam with the marble slabs and the vigorous scrub. I emerged renewed and slightly embarrassed at how much desert came off me.

The slow itinerary

Day 1The great wander

No plan beyond the souks. Follow your nose through the metalworkers, the dyers and the lantern lanes; bargain kindly and drink every mint tea offered.

Day 2Palaces & gardens

Madrasa at opening, Bahia Palace mid-morning, Jardin Majorelle at golden hour. Book Majorelle tickets a day ahead — they sell out by noon.

Days 3–4Slow & savoury

A morning food tour, an afternoon hammam, and a final rooftop dinner above Jemaa el-Fnaa watching the whole square flicker alive.

Good to know before you go

  • Agree taxi fares before you get in, or insist on the meter — firmly and cheerfully.
  • Dress for temple courtyards: covered shoulders and knees open every door.
  • Friday is holy day; some stalls close, but the city feels extra local.
Portrait of Sophie, the writer behind Passport Pages

Written by Sophie

Slow traveller, sunrise chaser and firm believer that the wrong turn is usually the right one. I write honest guides from the road — no press trips, no filters, just notes I’d send a friend.